The Great Art Debate

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Bruce Rioja
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Re: The Great Art Debate

Post by Bruce Rioja » Sun Mar 24, 2013 5:33 pm

Nipped into the Art Gallery yesterday. I've no idea as to many collective hours I must've spent gawping at The Death of Seneca, but one thing's for sure, I know I'll spend many more.

Not sure that this photo does it much (if any) justice.

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Re: The Great Art Debate

Post by bobo the clown » Sun Mar 24, 2013 6:49 pm

3 lazy corners Bruce. Lazy.

Poor stuff, poor, poor stuff.
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Re: The Great Art Debate

Post by TANGODANCER » Sun Mar 24, 2013 6:52 pm

Bruce Rioja wrote:Nipped into the Art Gallery yesterday. I've no idea as to many collective hours I must've spent gawping at The Death of Seneca, but one thing's for sure, I know I'll spend many more.

Not sure that this photo does it much (if any) justice.

Image
Did you catch the Sir Phillip Sydney portrait while you were there? Bit of a controversy about that one. They reckon the Bolton one was painted after the others and most likely by the painter's son, according to the brochure.
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Re: The Great Art Debate

Post by Bruce Rioja » Sun Mar 24, 2013 6:58 pm

I didn't actually, Tango. I need to go back now. Did spend quite a while looking at Nev's Kingdom though.
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Re: The Great Art Debate

Post by TANGODANCER » Sun Mar 24, 2013 7:03 pm

Bruce Rioja wrote:I didn't actually, Tango. I need to go back now. Did spend quite a while looking at Nev's Kingdom though.
Bit of a puzzler, I'll admit. But it grows on you. :wink:
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Re: The Great Art Debate

Post by mummywhycantieatcrayons » Sun Mar 24, 2013 8:02 pm

Today was a good day:

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Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families

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Re: The Great Art Debate

Post by Lost Leopard Spot » Mon Mar 25, 2013 11:18 am

Why was today a good day?
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Re: The Great Art Debate

Post by mummywhycantieatcrayons » Mon Mar 25, 2013 11:21 am

Lost Leopard Spot wrote:Why was today a good day?
Well yesterday was good day because I met Brian Sewell and that is a photo of said event.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families

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Re: The Great Art Debate

Post by Lost Leopard Spot » Mon Mar 25, 2013 11:23 am

mummywhycantieatcrayons wrote:
Lost Leopard Spot wrote:Why was today a good day?
Well yesterday was good day because I met Brian Sewell and that is a photo of said event.
Ah. I'm sure that I must have heard of him. I'll re-state that: I've heard of him, but not sure in what context. I'll go away and google him.
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Re: The Great Art Debate

Post by Lost Leopard Spot » Mon Mar 25, 2013 11:24 am

Oh him. God he's aged.
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Re: The Great Art Debate

Post by mrkint » Mon Mar 25, 2013 11:25 am

He's shit at Only Connect, LLS.

That's all you need to know.

Well, that and this http://www.briansewell.co.uk/brian-sewe ... board.html" onclick="window.open(this.href);return false;

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Re: The Great Art Debate

Post by Lost Leopard Spot » Mon Mar 25, 2013 11:27 am

mrkint wrote:He's shit at Only Connect, LLS.

That's all you need to know.

Well, that and this http://www.briansewell.co.uk/brian-sewe ... board.html" onclick="window.open(this.href);return false;
Sewell Sampler - :lol:

And don't be so rude about Pencilbiter - I'm sure he contributed.
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Re: The Great Art Debate

Post by mrkint » Mon Mar 25, 2013 11:29 am

:D you know I meant Sewell...he was on a celebrity special a year or so ago. He was a bit rubbish.

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Re: The Great Art Debate

Post by Bruce Rioja » Mon Mar 25, 2013 11:44 am

Have you ever seen Brian Sewell laugh? It's piss funny (well, I think it is).
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Re: The Great Art Debate

Post by Lost Leopard Spot » Mon Mar 25, 2013 11:47 am

He looks like Malcolm Muggeridge in that photo (Brian Sewell that is, not PB).
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Re: The Great Art Debate

Post by Worthy4England » Mon Mar 25, 2013 12:03 pm

Never thought I'd see the day Mummy was getting a signed edition of Michael Foot's autobiography. ;-)

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Re: The Great Art Debate

Post by mummywhycantieatcrayons » Mon Mar 25, 2013 12:18 pm

Lost Leopard Spot wrote:Oh him. God he's aged.
Even though I know of his health problems and his own lamenting of his ageing body (and he is 82), I was slightly taken aback to see him appear so frail when he first shuffled in on two crutches.

But then, when given a platform for his expertise, he opens his mouth and he speaks, eyes sparkling, with the wit, fluidity and enthusiasm of a man in his twenties. Really a quite amazing contrast. And then he is almost timid and shy when you meet him one to one, especially when embarrassed by the fact that his arthritis means than his handwriting when signing is books is dreadful.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families

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Re: The Great Art Debate

Post by Il Pirate » Tue Mar 26, 2013 10:34 am

mummywhycantieatcrayons wrote:
Lost Leopard Spot wrote:Oh him. God he's aged.
Even though I know of his health problems and his own lamenting of his ageing body (and he is 82), I was slightly taken aback to see him appear so frail when he first shuffled in on two crutches.

But then, when given a platform for his expertise, he opens his mouth and he speaks, eyes sparkling, with the wit, fluidity and enthusiasm of a man in his twenties. Really a quite amazing contrast. And then he is almost timid and shy when you meet him one to one, especially when embarrassed by the fact that his arthritis means than his handwriting when signing is books is dreadful.

Nice one Mummy. I've always had time for Brian Sewell. As you say, expert in his field, loves Poussin and vintage motor cars. In that photo you look as exited as I was a few years back, when in Paris I sat at a table outside a cafe and Peter Brook was sat on the next table. I didn't have my copy of 'The Empty Space' to hand for him to sign, but he said hello and had a little chat and offered encouragement.

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Re: The Great Art Debate

Post by William the White » Tue Mar 26, 2013 6:54 pm

Il Pirate wrote:
mummywhycantieatcrayons wrote:
Lost Leopard Spot wrote:Oh him. God he's aged.
Even though I know of his health problems and his own lamenting of his ageing body (and he is 82), I was slightly taken aback to see him appear so frail when he first shuffled in on two crutches.

But then, when given a platform for his expertise, he opens his mouth and he speaks, eyes sparkling, with the wit, fluidity and enthusiasm of a man in his twenties. Really a quite amazing contrast. And then he is almost timid and shy when you meet him one to one, especially when embarrassed by the fact that his arthritis means than his handwriting when signing is books is dreadful.

Nice one Mummy. I've always had time for Brian Sewell. As you say, expert in his field, loves Poussin and vintage motor cars. In that photo you look as exited as I was a few years back, when in Paris I sat at a table outside a cafe and Peter Brook was sat on the next table. I didn't have my copy of 'The Empty Space' to hand for him to sign, but he said hello and had a little chat and offered encouragement.
My equivalent was to sit next to Arthur Miller at the Young Vic at the london premier of The Last Yankee. Then having tea and cream cakes backstage with him. He raved about Margot Leicester's performance in his play!

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Re: The Great Art Debate

Post by Always hopeful » Tue Mar 26, 2013 10:05 pm

Brian Sewell: Horticulturalist


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