The Great Art Debate
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- Bruce Rioja
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Re: The Great Art Debate
Nipped into the Art Gallery yesterday. I've no idea as to many collective hours I must've spent gawping at The Death of Seneca, but one thing's for sure, I know I'll spend many more.
Not sure that this photo does it much (if any) justice.

Not sure that this photo does it much (if any) justice.
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Re: The Great Art Debate
3 lazy corners Bruce. Lazy.
Poor stuff, poor, poor stuff.
Poor stuff, poor, poor stuff.
Not advocating mass-murder as an entirely positive experience, of course, but it had its moments.
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"I understand you are a very good footballer" ... "I try".
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Re: The Great Art Debate
Did you catch the Sir Phillip Sydney portrait while you were there? Bit of a controversy about that one. They reckon the Bolton one was painted after the others and most likely by the painter's son, according to the brochure.Bruce Rioja wrote:Nipped into the Art Gallery yesterday. I've no idea as to many collective hours I must've spent gawping at The Death of Seneca, but one thing's for sure, I know I'll spend many more.
Not sure that this photo does it much (if any) justice.
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- Bruce Rioja
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Re: The Great Art Debate
I didn't actually, Tango. I need to go back now. Did spend quite a while looking at Nev's Kingdom though.
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Re: The Great Art Debate
Bit of a puzzler, I'll admit. But it grows on you.Bruce Rioja wrote:I didn't actually, Tango. I need to go back now. Did spend quite a while looking at Nev's Kingdom though.

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Re: The Great Art Debate
Today was a good day:


Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
- Lost Leopard Spot
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Re: The Great Art Debate
Well yesterday was good day because I met Brian Sewell and that is a photo of said event.Lost Leopard Spot wrote:Why was today a good day?
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
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Re: The Great Art Debate
Ah. I'm sure that I must have heard of him. I'll re-state that: I've heard of him, but not sure in what context. I'll go away and google him.mummywhycantieatcrayons wrote:Well yesterday was good day because I met Brian Sewell and that is a photo of said event.Lost Leopard Spot wrote:Why was today a good day?
That's not a leopard!
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Re: The Great Art Debate
He's shit at Only Connect, LLS.
That's all you need to know.
Well, that and this http://www.briansewell.co.uk/brian-sewe ... board.html" onclick="window.open(this.href);return false;
That's all you need to know.
Well, that and this http://www.briansewell.co.uk/brian-sewe ... board.html" onclick="window.open(this.href);return false;
- Lost Leopard Spot
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Re: The Great Art Debate
Sewell Sampler -mrkint wrote:He's shit at Only Connect, LLS.
That's all you need to know.
Well, that and this http://www.briansewell.co.uk/brian-sewe ... board.html" onclick="window.open(this.href);return false;

And don't be so rude about Pencilbiter - I'm sure he contributed.
That's not a leopard!
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Re: The Great Art Debate

- Bruce Rioja
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Re: The Great Art Debate
Have you ever seen Brian Sewell laugh? It's piss funny (well, I think it is).
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- Lost Leopard Spot
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Re: The Great Art Debate
He looks like Malcolm Muggeridge in that photo (Brian Sewell that is, not PB).
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- Worthy4England
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Re: The Great Art Debate
Never thought I'd see the day Mummy was getting a signed edition of Michael Foot's autobiography. 

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Re: The Great Art Debate
Even though I know of his health problems and his own lamenting of his ageing body (and he is 82), I was slightly taken aback to see him appear so frail when he first shuffled in on two crutches.Lost Leopard Spot wrote:Oh him. God he's aged.
But then, when given a platform for his expertise, he opens his mouth and he speaks, eyes sparkling, with the wit, fluidity and enthusiasm of a man in his twenties. Really a quite amazing contrast. And then he is almost timid and shy when you meet him one to one, especially when embarrassed by the fact that his arthritis means than his handwriting when signing is books is dreadful.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
Re: The Great Art Debate
mummywhycantieatcrayons wrote:Even though I know of his health problems and his own lamenting of his ageing body (and he is 82), I was slightly taken aback to see him appear so frail when he first shuffled in on two crutches.Lost Leopard Spot wrote:Oh him. God he's aged.
But then, when given a platform for his expertise, he opens his mouth and he speaks, eyes sparkling, with the wit, fluidity and enthusiasm of a man in his twenties. Really a quite amazing contrast. And then he is almost timid and shy when you meet him one to one, especially when embarrassed by the fact that his arthritis means than his handwriting when signing is books is dreadful.
Nice one Mummy. I've always had time for Brian Sewell. As you say, expert in his field, loves Poussin and vintage motor cars. In that photo you look as exited as I was a few years back, when in Paris I sat at a table outside a cafe and Peter Brook was sat on the next table. I didn't have my copy of 'The Empty Space' to hand for him to sign, but he said hello and had a little chat and offered encouragement.
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Re: The Great Art Debate
My equivalent was to sit next to Arthur Miller at the Young Vic at the london premier of The Last Yankee. Then having tea and cream cakes backstage with him. He raved about Margot Leicester's performance in his play!Il Pirate wrote:mummywhycantieatcrayons wrote:Even though I know of his health problems and his own lamenting of his ageing body (and he is 82), I was slightly taken aback to see him appear so frail when he first shuffled in on two crutches.Lost Leopard Spot wrote:Oh him. God he's aged.
But then, when given a platform for his expertise, he opens his mouth and he speaks, eyes sparkling, with the wit, fluidity and enthusiasm of a man in his twenties. Really a quite amazing contrast. And then he is almost timid and shy when you meet him one to one, especially when embarrassed by the fact that his arthritis means than his handwriting when signing is books is dreadful.
Nice one Mummy. I've always had time for Brian Sewell. As you say, expert in his field, loves Poussin and vintage motor cars. In that photo you look as exited as I was a few years back, when in Paris I sat at a table outside a cafe and Peter Brook was sat on the next table. I didn't have my copy of 'The Empty Space' to hand for him to sign, but he said hello and had a little chat and offered encouragement.
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Re: The Great Art Debate
Brian Sewell: Horticulturalist
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