The Great Art Debate
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Re: The Great Art Debate
Well I hope my post and that podcast did that for you - the bed is a cultural signpost precisely because people feel strongly enough to accuse her of conning the public.TANGODANCER wrote:Really? Well thanks for insulting my intelligence, but I was hoping for something a little more than "because it is", that's why I addressed the query at Mummy. I wanted him to say possibly that the art experts, agents and maybe even good old Tracey herself, get together and play think of a number they can get out of some silly sod with money to burn. Not for something of value or real historical interest, but for an old M.F.I bed with a pile of dirty sheets on it. The real art is surely in conning the public, is it not? That's what I was asking our resident man in the middle.thebish wrote:
pecause people often pay a lot of money to own famous things...
winston churchill's hat is "just a hat" and you could buy a similar hat off ebay for pennies... but the actual one that belonged to winston is a famous hat - so someone would pay a lot of money for it.
Emin's unmade bed is famous - same thing applies.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
Re: The Great Art Debate
truth is, Will - you're just more gullible than Tango - easily conned - you're a pushover!William the White wrote:It's your repeated accusation about Emin. It doesn't stand up. She isn't conning anyone. She is producing works of art that interrogate her closest subject. Herself. She isn't trying to fool or trick. These are things that are crucial to her art. You don't have to like it. You don't have to respect it. But it is not a con trick by the artist.TANGODANCER wrote:Really? Well thanks for insulting my intelligence, but I was hoping for something a little more than "because it is", that's why I addressed the query at Mummy. I wanted him to say possibly that the art experts, agents and maybe even good old Tracey herself, get together and play think of a number they can get out of some silly sod with money to burn. Not for something of value or real historical interest, but for an old M.F.I bed with a pile of dirty sheets on it. The real art is surely in conning the public, is it not? That's what I was asking our resident man in the middle.thebish wrote:
pecause people often pay a lot of money to own famous things...
winston churchill's hat is "just a hat" and you could buy a similar hat off ebay for pennies... but the actual one that belonged to winston is a famous hat - so someone would pay a lot of money for it.
Emin's unmade bed is famous - same thing applies.
It offends your taste, that's all. You are entitled to be offended, outraged, disgusted etc. But I don't feel you can describe her as a confidence trickster unless motivated by prejudice.
I've never seen My Bed - though I would like to. I'm not sure what my response would be. I suspect I'd like it, possibly very much. That would be because in some way it resonated with me, made me think, made me feel. Even if I hated it and rejected it though I don't think I'd feel 'conned'.

- Worthy4England
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Re: The Great Art Debate
The good news is, there's little chance of Emin being upstaged at the forthcoming Saatchi Gallery Auction.

This is one of Karla Black's better works.

This is one of Karla Black's better works.
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Re: The Great Art Debate
What's that one called, "Putin's tanks flattened my bed"?Worthy4England wrote:The good news is, there's little chance of Emin being upstaged at the forthcoming Saatchi Gallery Auction.
This is one of Karla Black's better works.
That's not a leopard!
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Re: The Great Art Debate
Tracey's hit back right off with........http://tinyurl.com/nctj4z9" onclick="window.open(this.href);return false;Worthy4England wrote:The good news is, there's little chance of Emin being upstaged at the forthcoming Saatchi Gallery Auction.
This is one of Karla Black's better works.
Si Deus pro nobis, quis contra nos?
Re: The Great Art Debate
TANGODANCER wrote:Tracey's hit back right off with........http://tinyurl.com/nctj4z9" onclick="window.open(this.href);return false;Worthy4England wrote:The good news is, there's little chance of Emin being upstaged at the forthcoming Saatchi Gallery Auction.
This is one of Karla Black's better works.
for someone who said only yesterday: "I'm happy to accept I can't accept her as any form of artist, but that's just me, so best thing is for me to just ignore her...."
you sure do seek her out!
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Re: The Great Art Debate
Almost as much as you seek me out? Maybe not quite,thebish wrote:TANGODANCER wrote:Tracey's hit back right off with........http://tinyurl.com/nctj4z9" onclick="window.open(this.href);return false;Worthy4England wrote:The good news is, there's little chance of Emin being upstaged at the forthcoming Saatchi Gallery Auction.
This is one of Karla Black's better works.
for someone who said only yesterday: "I'm happy to accept I can't accept her as any form of artist, but that's just me, so best thing is for me to just ignore her...."
you sure do seek her out!

Si Deus pro nobis, quis contra nos?
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Re: The Great Art Debate
I have a friend who says this Tate Britain exhibition is the best thing she has seen for years. It's also getting critical raves.
I'm hoping to catch it in July.
http://www.tate.org.uk/context-comment/ ... ida-barlow" onclick="window.open(this.href);return false;
I'm hoping to catch it in July.
http://www.tate.org.uk/context-comment/ ... ida-barlow" onclick="window.open(this.href);return false;
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Re: The Great Art Debate
Your friend wants to get out more often then. It's just a pile of old firewood.William the White wrote:I have a friend who says this Tate Britain exhibition is the best thing she has seen for years. It's also getting critical raves.
I'm hoping to catch it in July.
http://www.tate.org.uk/context-comment/ ... ida-barlow" onclick="window.open(this.href);return false;

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Re: The Great Art Debate
Telegraph
http://www.telegraph.co.uk/culture/art/ ... eview.html" onclick="window.open(this.href);return false;
Guardian
http://www.theguardian.com/artanddesign ... -interview" onclick="window.open(this.href);return false;
The public (Trip Advisor)
http://www.tripadvisor.co.uk/ShowUserRe ... gland.html" onclick="window.open(this.href);return false;
FT
http://www.ft.com/cms/s/2/805f5f5c-b989 ... z336dkZyQG" onclick="window.open(this.href);return false;
http://www.telegraph.co.uk/culture/art/ ... eview.html" onclick="window.open(this.href);return false;
Guardian
http://www.theguardian.com/artanddesign ... -interview" onclick="window.open(this.href);return false;
The public (Trip Advisor)
http://www.tripadvisor.co.uk/ShowUserRe ... gland.html" onclick="window.open(this.href);return false;
FT
http://www.ft.com/cms/s/2/805f5f5c-b989 ... z336dkZyQG" onclick="window.open(this.href);return false;
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Re: The Great Art Debate
And? If people want to fish themselves in then that's their business. Good luck to 'em.
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Re: The Great Art Debate
Don't think I quite understand this. But hey-ho.Bruce Rioja wrote:And? If people want to fish themselves in then that's their business. Good luck to 'em.
The critics offer an intelligent perspective on the work, and are by no means unanimous. I'll understand perfectly if you aren't interested in what they have to say.
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Re: The Great Art Debate
To be honest, it is something that I'd have to go and see for myself in order to form an honest opinion, but I do think that my starting position would be one of me taking 'a bit of a dim view'.William the White wrote:Don't think I quite understand this. But hey-ho.Bruce Rioja wrote:And? If people want to fish themselves in then that's their business. Good luck to 'em.
The critics offer an intelligent perspective on the work, and are by no means unanimous. I'll understand perfectly if you aren't interested in what they have to say.
May the bridges I burn light your way
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Re: The Great Art Debate
If there's a more soulless "space" in the whole Universe than the Tate Modern I've yet to find it.
Not advocating mass-murder as an entirely positive experience, of course, but it had its moments.
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Re: The Great Art Debate
the Emirates?bobo the clown wrote:If there's a more soulless "space" in the whole Universe than the Tate Modern I've yet to find it.
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Re: The Great Art Debate
thebish wrote:the Emirates?bobo the clown wrote:If there's a more soulless "space" in the whole Universe than the Tate Modern I've yet to find it.

That's not a leopard!
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Re: The Great Art Debate
Yep. That entrance is on of the least welcoming to a place of creativity and imagination that I know.bobo the clown wrote:If there's a more soulless "space" in the whole Universe than the Tate Modern I've yet to find it.
But the Phyllida Barlow exhibition is at Tate Britain. (And free!).
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Re: The Great Art Debate
William the White wrote:Yep. That entrance is on of the least welcoming to a place of creativity and imagination that I know.bobo the clown wrote:If there's a more soulless "space" in the whole Universe than the Tate Modern I've yet to find it.
But the Phyllida Barlow exhibition is at Tate Britain. (And free!).
I kind of think that's the point. That something so mundane and ordinary gives forth into this wonderful expanse that houses so many intricate and massive delights. I quite like Tate Modern. I'd rather that than see the building flattened and another umpteen faceless, overpriced 'apartments' vomited on the banks of the Thames.
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Re: The Great Art Debate
There's nothing mundane and ordinary about - it's a huge, rare, industrial cathedral.Gary the Enfield wrote:William the White wrote:Yep. That entrance is on of the least welcoming to a place of creativity and imagination that I know.bobo the clown wrote:If there's a more soulless "space" in the whole Universe than the Tate Modern I've yet to find it.
But the Phyllida Barlow exhibition is at Tate Britain. (And free!).
I kind of think that's the point. That something so mundane and ordinary gives forth into this wonderful expanse that houses so many intricate and massive delights. I quite like Tate Modern. I'd rather that than see the building flattened and another umpteen faceless, overpriced 'apartments' vomited on the banks of the Thames.
Given how tough it is for our young artists to find space to work and exhibit in Zone 1-3 these days, unlike in the YBA era, it seems positively offensive to have a big, hulking, public space so empty and under-utilised.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
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Re: The Great Art Debate
mummywhycantieatcrayons wrote:There's nothing mundane and ordinary about - it's a huge, rare, industrial cathedral.Gary the Enfield wrote:William the White wrote:Yep. That entrance is on of the least welcoming to a place of creativity and imagination that I know.bobo the clown wrote:If there's a more soulless "space" in the whole Universe than the Tate Modern I've yet to find it.
But the Phyllida Barlow exhibition is at Tate Britain. (And free!).
I kind of think that's the point. That something so mundane and ordinary gives forth into this wonderful expanse that houses so many intricate and massive delights. I quite like Tate Modern. I'd rather that than see the building flattened and another umpteen faceless, overpriced 'apartments' vomited on the banks of the Thames.
Given how tough it is for our young artists to find space to work and exhibit in Zone 1-3 these days, unlike in the YBA era, it seems positively offensive to have a big, hulking, public space so empty and under-utilised.
I was referring to the entrance though......
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