What you reading today?
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Dan Brown researches his woks well enough, has the basis of good stories, then ruins them with weak characters and too many "Dick Barton" situations. The villains are always hiding at the botom of the garden with a hi-tech hearing device and always manage to be on the scene. Spoils his credibility.enfieldwhite wrote:Angels and Demons and The Darwin Awards III
His success has come more from controversial topics than his storytelling skills. Same things occur in all his work. That said, he must be doing something right because of his bank balance. Just my view.
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My problem is I can't get Tom Hanks out of my head. He doesn't fit the part.TANGODANCER wrote:Dan Brown researches his woks well enough, has the basis of good stories, then ruins them with weak characters and too many "Dick Barton" situations. The villains are always hiding at the botom of the garden with a hi-tech hearing device and always manage to be on the scene. Spoils his credibility.enfieldwhite wrote:Angels and Demons and The Darwin Awards III
His success has come more from controversial topics than his storytelling skills. Same things occur in all his work. That said, he must be doing something right because of his bank balance. Just my view.
He does have an amazing knowledge, but, having read the 'Holy Blood and the Holy Grail' which he was accused of plagiarising, I don't think he does all his own research.

"You're Gemini, and I don't know which one I like the most!"
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I read that years ago. Brown was clever in using theories put forward by its authors (they were nothing more) as the basis for an intruiging story. His research for the rest was till impressive. The Jesus story is a bit like the pyramids; somebody comes up with a new theory about both every five minutes. Read "The Second Messiah" (Can't name the author off-hand as I'm at work, but I have the book).enfieldwhite wrote:My problem is I can't get Tom Hanks out of my head. He doesn't fit the part.TANGODANCER wrote:Dan Brown researches his woks well enough, has the basis of good stories, then ruins them with weak characters and too many "Dick Barton" situations. The villains are always hiding at the botom of the garden with a hi-tech hearing device and always manage to be on the scene. Spoils his credibility.enfieldwhite wrote:Angels and Demons and The Darwin Awards III
His success has come more from controversial topics than his storytelling skills. Same things occur in all his work. That said, he must be doing something right because of his bank balance. Just my view.
He does have an amazing knowledge, but, having read the 'Holy Blood and the Holy Grail' which he was accused of plagiarising, I don't think he does all his own research.
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Thought I'd resurrect this thread, took me eye-boggling ages to find the bugger
Just finished Ferguson and Shankly: If You're Second You Are Nothing by Oliver Holt. I find Holt one of the least objectionable hacks and I liked the premise of this book, which uses alternate chapters to compare the careers of the two Scotsmen. However, it quickly becomes aware that he comes to praise Shankly and bury Ferguson, to the extent that even those who hate the Rags will find it embarrassingly one-sided; foul-tempered tyrant he may be but Ferguson isn't evil incarnate any more than Shankly, who could be ruthless about dropping players and would habitually blank injured players, was the second coming. And partly because the chapters aren't arranged chronologically, he repeats himself. A lot. That's partly his fault, more so than the unintentionally amusing dramatic irony of his insistence that Ferguson is only going downhill (the hardback version was released before last season's title romp). Verdict: kind of interesting, kind of irksome.
Slightly singed by that experience, I wondered whether I should bother with the predictably-named The Italian Job, written by Gianluca Vialli in conjunction with Times scribe Gabriele Marcotti. but I'm glad I did. I'll reserve full judgement till I've finished, but the first two or three chapters have been excellent. It's not really a biography, more a fairly forensic examination of English and Italian football cultures, examining their differences and attempting to explain them through sociology and culture. It sets up questions and attempts to answer them through research and interviews with experts (and a host of top football names). Is English football so manically fast because we value energy over technical ability from a young age, or because the wind's much stronger here and that stops us standing listening to fine technical points from the coach? Why is the West African gene pool disproportionately overburdened with folks who are either extremely well physically developed or extremely unphysical? Interesting stuff...
Just finished Ferguson and Shankly: If You're Second You Are Nothing by Oliver Holt. I find Holt one of the least objectionable hacks and I liked the premise of this book, which uses alternate chapters to compare the careers of the two Scotsmen. However, it quickly becomes aware that he comes to praise Shankly and bury Ferguson, to the extent that even those who hate the Rags will find it embarrassingly one-sided; foul-tempered tyrant he may be but Ferguson isn't evil incarnate any more than Shankly, who could be ruthless about dropping players and would habitually blank injured players, was the second coming. And partly because the chapters aren't arranged chronologically, he repeats himself. A lot. That's partly his fault, more so than the unintentionally amusing dramatic irony of his insistence that Ferguson is only going downhill (the hardback version was released before last season's title romp). Verdict: kind of interesting, kind of irksome.
Slightly singed by that experience, I wondered whether I should bother with the predictably-named The Italian Job, written by Gianluca Vialli in conjunction with Times scribe Gabriele Marcotti. but I'm glad I did. I'll reserve full judgement till I've finished, but the first two or three chapters have been excellent. It's not really a biography, more a fairly forensic examination of English and Italian football cultures, examining their differences and attempting to explain them through sociology and culture. It sets up questions and attempts to answer them through research and interviews with experts (and a host of top football names). Is English football so manically fast because we value energy over technical ability from a young age, or because the wind's much stronger here and that stops us standing listening to fine technical points from the coach? Why is the West African gene pool disproportionately overburdened with folks who are either extremely well physically developed or extremely unphysical? Interesting stuff...
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Prolly worth the effort, but not as good as Chronicles of Thomas Covenant IMO...Armchair wrote:All 11 books in the Wheel of Time series by Robert Jordan.....going to take a while
Just finished Deception Point (pretty good) by Dan Brown and The Codex - lightweight but entertaining in parts
Other than that spending too much time reading The-Wanderer.co.uk forums...
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