The Great Art Debate
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Re: The Great Art Debate
I liked Man Ray best... some fairly mystifying detours (L S Lowry, even though I genuinely like him, is hardly a turning point in 20th Century Art - perhaps simply a semi colon in proletarian realism - as in, without the politics). But will stick. Dali was such a wanker - heartless, money-grubbing prick.William the White wrote:Tomorrow, on that essential channel, BBC4 at 9.00pm Great Artists in their Own Words offers glimpses into the ideas of Dali, Magritte, Matisse and others. Guardian recommends as one of their picks of the day.
Worth catching I reckon, and maybe worth sticking with.
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Re: The Great Art Debate
Thanks Will - I'm in tonight so will iPlayer it.William the White wrote:I liked Man Ray best... some fairly mystifying detours (L S Lowry, even though I genuinely like him, is hardly a turning point in 20th Century Art - perhaps simply a semi colon in proletarian realism - as in, without the politics). But will stick. Dali was such a wanker - heartless, money-grubbing prick.William the White wrote:Tomorrow, on that essential channel, BBC4 at 9.00pm Great Artists in their Own Words offers glimpses into the ideas of Dali, Magritte, Matisse and others. Guardian recommends as one of their picks of the day.
Worth catching I reckon, and maybe worth sticking with.
I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
As for Dali... I think he was guilty of all of those things as well as being a sexual deviant. He was, however, a great painter - the "last of the old masters", as Brian Sewell has it.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
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Re: The Great Art Debate
Really, PB! Using "iplayer" as a verb - what is wrong with 'watch' - surely the method is not important enough to torture the language. You of all people should be above geek speak.mummywhycantieatcrayons wrote:Thanks Will - I'm in tonight so will iPlayer it.William the White wrote:I liked Man Ray best... some fairly mystifying detours (L S Lowry, even though I genuinely like him, is hardly a turning point in 20th Century Art - perhaps simply a semi colon in proletarian realism - as in, without the politics). But will stick. Dali was such a wanker - heartless, money-grubbing prick.William the White wrote:Tomorrow, on that essential channel, BBC4 at 9.00pm Great Artists in their Own Words offers glimpses into the ideas of Dali, Magritte, Matisse and others. Guardian recommends as one of their picks of the day.
Worth catching I reckon, and maybe worth sticking with.
I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
As for Dali... I think he was guilty of all of those things as well as being a sexual deviant. He was, however, a great painter - the "last of the old masters", as Brian Sewell has it.

"If you cannot answer a man's argument, all it not lost; you can still call him vile names. " Elbert Hubbard.
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Re: The Great Art Debate
Apologies.Montreal Wanderer wrote:Really, PB! Using "iplayer" as a verb - what is wrong with 'watch' - surely the method is not important enough to torture the language. You of all people should be above geek speak.
And I'm even more sorry that the search function doesn't turn up an example of your using 'Google' as a verb. Damn you and your consistency.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
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Re: The Great Art Debate
mummywhycantieatcrayons wrote:Apologies.Montreal Wanderer wrote:Really, PB! Using "iplayer" as a verb - what is wrong with 'watch' - surely the method is not important enough to torture the language. You of all people should be above geek speak.
And I'm even more sorry that the search function doesn't turn up an example of your using 'Google' as a verb. Damn you and your consistency.

"If you cannot answer a man's argument, all it not lost; you can still call him vile names. " Elbert Hubbard.
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Re: The Great Art Debate
In a nutshell. The age of emerging industry. It's no secret I'm a big Turner fan.mummywhycantieatcrayons wrote: I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
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Re: The Great Art Debate
In the programme, they pointed out that Turner was born the same year as Jane Austen - now doesn't that seem amazing?TANGODANCER wrote:In a nutshell. The age of emerging industry. It's no secret I'm a big Turner fan.mummywhycantieatcrayons wrote: I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families
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Re: The Great Art Debate
It sure does since Jane was several years older than one Turner - depends which one you mean I guess (William was younger and J.M.W.'s birth date is unkown - although 1775 is a good guess).mummywhycantieatcrayons wrote:In the programme, they pointed out that Turner was born the same year as Jane Austen - now doesn't that seem amazing?TANGODANCER wrote:In a nutshell. The age of emerging industry. It's no secret I'm a big Turner fan.mummywhycantieatcrayons wrote: I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
"If you cannot answer a man's argument, all it not lost; you can still call him vile names. " Elbert Hubbard.
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Re: The Great Art Debate
JMW lasted a fair bit longer than poor old Jane, who was only forty two when she died in 1817. His industrial stuff was all after her time. The difference in them artistically is that Turner was happy with the grass roots of it all and embraced it in his works, whereas Jane Austen avoided the working classes or any mention of background war in Europe in her work. She wrote almost exclusively of upper middle class and landed gentry life in the Regency era, just giving a slight nod to poverty in Mansfield Park (which also touched briefly on the horrors of the slave trade). She did however take the micky right royaly out of her own level of society in many of her characters and highlighted the harshness of life for women unable to marry well from that world and the rules of male inheritance and property entailment law of the time. Her world was primarily frivolity and romance, balls and ettiquette , Turner's the reality of life, climate and action. I've plenty of respect for both in their own ways.Montreal Wanderer wrote:It sure does since Jane was several years older than one Turner - depends which one you mean I guess (William was younger and J.M.W.'s birth date is unkown - although 1775 is a good guess).mummywhycantieatcrayons wrote:In the programme, they pointed out that Turner was born the same year as Jane Austen - now doesn't that seem amazing?TANGODANCER wrote:In a nutshell. The age of emerging industry. It's no secret I'm a big Turner fan.mummywhycantieatcrayons wrote: I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
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Re: The Great Art Debate
Only just seen this post. Number 9 on the list is Pripiyat a town 20km from Chernobyl. I've looked on Youtube for an episode of No Reservations presented by Anthony Bourdain that I saw a year or two ago, where he visited Pripiyat as part of a tour of Ukraine. Couldn't find it, but here's a video of the area from summat else, if you're interested.Bruce Rioja wrote:I'm not sure that this really fits into the Great Art Debate per se, but I'm lobbing it in here anyway. I hope you don't think me strange BUT, all my life, even as a child, I've had an absolute fascination with abandonment. Buildings, vehicles, industrial sites, old derelict houses, sports grounds/stadiums (especially those), battlefields, the ground on which something once stood - anything really. I've always wondered what their story was. Anyway, there are 30 beautiful abandonments here. Have to say I'm quite surprised that Chernobyl didn't make the list!
http://myscienceacademy.org/2013/04/14/ ... the-world/" onclick="window.open(this.href);return false;
http://www.youtube.com/watch?v=aptV35As8jY
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Re: The Great Art Debate
I admire Dali's work without ever truly liking it. It seems so self satisfied, such deliberate artifice. No idea what Sewell means by that - care to develop the point? Either Sewell's argument or your support of it?mummywhycantieatcrayons wrote:Thanks Will - I'm in tonight so will iPlayer it.William the White wrote:I liked Man Ray best... some fairly mystifying detours (L S Lowry, even though I genuinely like him, is hardly a turning point in 20th Century Art - perhaps simply a semi colon in proletarian realism - as in, without the politics). But will stick. Dali was such a wanker - heartless, money-grubbing prick.William the White wrote:Tomorrow, on that essential channel, BBC4 at 9.00pm Great Artists in their Own Words offers glimpses into the ideas of Dali, Magritte, Matisse and others. Guardian recommends as one of their picks of the day.
Worth catching I reckon, and maybe worth sticking with.
I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
As for Dali... I think he was guilty of all of those things as well as being a sexual deviant. He was, however, a great painter - the "last of the old masters", as Brian Sewell has it.
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Re: The Great Art Debate
While I find Dali interesting and actually like his work, I cannot imagine why he would be called the last of the old masters. I would have called him one of the more fascinating surrealists.William the White wrote:I admire Dali's work without ever truly liking it. It seems so self satisfied, such deliberate artifice. No idea what Sewell means by that - care to develop the point? Either Sewell's argument or your support of it?mummywhycantieatcrayons wrote:Thanks Will - I'm in tonight so will iPlayer it.William the White wrote:I liked Man Ray best... some fairly mystifying detours (L S Lowry, even though I genuinely like him, is hardly a turning point in 20th Century Art - perhaps simply a semi colon in proletarian realism - as in, without the politics). But will stick. Dali was such a wanker - heartless, money-grubbing prick.William the White wrote:Tomorrow, on that essential channel, BBC4 at 9.00pm Great Artists in their Own Words offers glimpses into the ideas of Dali, Magritte, Matisse and others. Guardian recommends as one of their picks of the day.
Worth catching I reckon, and maybe worth sticking with.
I enjoyed the Turner programme. It's funny, because we look at Turner's paintings of steam trains and steam tugboats and they can't help but look quaintly nostalgic, but back then they were of course the brash images of modernity.
As for Dali... I think he was guilty of all of those things as well as being a sexual deviant. He was, however, a great painter - the "last of the old masters", as Brian Sewell has it.
"If you cannot answer a man's argument, all it not lost; you can still call him vile names. " Elbert Hubbard.
Re: The Great Art Debate
Yeah, but he had a pet Ocelot, so the man's a King. Cheryl Tunt of the art world!
In a world that has decided
That it's going to lose its mind
Be more kind, my friends, try to be more kind.
That it's going to lose its mind
Be more kind, my friends, try to be more kind.
Re: The Great Art Debate
if that's your bag - have a poke around some of the urbex sites... could be a new hobby for you!Bruce Rioja wrote:I'm not sure that this really fits into the Great Art Debate per se, but I'm lobbing it in here anyway. I hope you don't think me strange BUT, all my life, even as a child, I've had an absolute fascination with abandonment. Buildings, vehicles, industrial sites, old derelict houses, sports grounds/stadiums (especially those), battlefields, the ground on which something once stood - anything really. I've always wondered what their story was. Anyway, there are 30 beautiful abandonments here. Have to say I'm quite surprised that Chernobyl didn't make the list!
http://myscienceacademy.org/2013/04/14/ ... the-world/" onclick="window.open(this.href);return false;
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Re: The Great Art Debate
I have to confess - I pretty much hate what he does, pretty much the same, once, then again, and then for the thousandth time - and, i admit - with skill and boldness - and imagination - and cleverness - but so little else...Montreal Wanderer wrote:While I find Dali interesting and actually like his work, I cannot imagine why he would be called the last of the old masters. I would have called him one of the more fascinating surrealists.William the White wrote:
I admire Dali's work without ever truly liking it. It seems so self satisfied, such deliberate artifice. No idea what Sewell means by that - care to develop the point? Either Sewell's argument or your support of it?
Hey, I guess, how much more are you entitled to ask for?
not much, I suppose... but, I would like...
A heart... an emotional centre... a curiosity... a dynamic... a future... a transcendence... a possibility of change... an uncertainty... a movement... a fluidity...
Re: The Great Art Debate
His clocks tend to be pretty fluid?
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Re: The Great Art Debate
his hours triangular he claims...Beefheart wrote:His clocks tend to be pretty fluid?
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Re: The Great Art Debate
I like his work but I don't think I would like him - very odd chap. I'm glad our paths never crossed!William the White wrote:his hours triangular he claims...Beefheart wrote:His clocks tend to be pretty fluid?
"If you cannot answer a man's argument, all it not lost; you can still call him vile names. " Elbert Hubbard.
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Re: The Great Art Debate
Cheers. Have you seen some of the pics of Chernobyl?thebish wrote:if that's your bag - have a poke around some of the urbex sites... could be a new hobby for you!Bruce Rioja wrote:I'm not sure that this really fits into the Great Art Debate per se, but I'm lobbing it in here anyway. I hope you don't think me strange BUT, all my life, even as a child, I've had an absolute fascination with abandonment. Buildings, vehicles, industrial sites, old derelict houses, sports grounds/stadiums (especially those), battlefields, the ground on which something once stood - anything really. I've always wondered what their story was. Anyway, there are 30 beautiful abandonments here. Have to say I'm quite surprised that Chernobyl didn't make the list!
http://myscienceacademy.org/2013/04/14/ ... the-world/" onclick="window.open(this.href);return false;
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