The Great Art Debate

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Re: The Great Art Debate

Post by thebish » Thu May 30, 2013 11:58 am

mummywhycantieatcrayons wrote:
Lost Leopard Spot wrote:I've read a bit more, I was putting Jason in to the same boat as Odysseus. So no debate then mummy...or rather I have no objection to the theory.
I'm not sure this adds very much... it's just interesting to note that Capri is traditionally thought of as being part of Odysseus's journey, especially by artists and writers in the 19th centrury.
as evidenced in this famous example...

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Re: The Great Art Debate

Post by Montreal Wanderer » Thu May 30, 2013 12:03 pm

Based on Bobo's map Ulysses needed a new navigator. He should have walked after his first stop.
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Re: The Great Art Debate

Post by thebish » Thu May 30, 2013 12:03 pm

Montreal Wanderer wrote:Based on Bobo's map Ulysses needed a new navigator. He should have walked after his first stop.
keep up - he had a car!!

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Re: The Great Art Debate

Post by TANGODANCER » Thu May 30, 2013 12:11 pm

bobo the clown wrote:
mummywhycantieatcrayons wrote:
Lost Leopard Spot wrote:I've read a bit more, I was putting Jason in to the same boat as Odysseus. So no debate then mummy...or rather I have no objection to the theory.
I'm not sure this adds very much... it's just interesting to note that Capri is traditionally thought of as being part of Odysseus's journey, especially by artists and writers in the 19th centrury.
Here you go ...

Image
Beat me to it Bobo. Google Image search of Homeric maps, Oddessy, Illiad etc throws up loads.
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Re: The Great Art Debate

Post by Lost Leopard Spot » Thu May 30, 2013 12:12 pm

thebish wrote:
Montreal Wanderer wrote:Based on Bobo's map Ulysses needed a new navigator. He should have walked after his first stop.
keep up - he had a car!!
And it took him ten years. Ten years! Petrol stations were hard to find in those days.
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Re: The Great Art Debate

Post by Bijou Bob » Thu May 30, 2013 1:01 pm

I wasn't sure whether to rant this in the angry thread, but its arts related so.....

Not Mrs Bob is off to London this summer holidays with her son for a few days. Looking online for theatre tickets yesterday she spotted that Charlie and the Chocolate Factory is on in the West End and tried to book tickets. No concessions, dress circle £148 each. Cheapest tickets around the 90 quid each mark :shock:

So, let me get this straight. In an age of austerity, we fund the luvvies to put on a show for the benefit of the people and they take the money, price a UK family out of the market and rip of the American and Jap tourists for almost 600 quid for a family of 4.

Bastards. Time to slash the arts budget.
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Re: The Great Art Debate

Post by Lost Leopard Spot » Thu May 30, 2013 1:06 pm

Bijou Bob wrote:I wasn't sure whether to rant this in the angry thread, but its arts related so.....

Not Mrs Bob is off to London this summer holidays with her son for a few days. Looking online for theatre tickets yesterday she spotted that Charlie and the Chocolate Factory is on in the West End and tried to book tickets. No concessions, dress circle £148 each. Cheapest tickets around the 90 quid each mark :shock:

So, let me get this straight. In an age of austerity, we fund the luvvies to put on a show for the benefit of the people and they take the money, price a UK family out of the market and rip of the American and Jap tourists for almost 600 quid for a family of 4.

Bastards. Time to slash the arts budget.
I think it should be in the politics thread personally... :wink:
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Re: The Great Art Debate

Post by Prufrock » Thu May 30, 2013 1:48 pm

You're all a lot more confident on where Odysseus went than any Classicist I've ever met! I seem to remember that folk seemed pretty certain that Scylla and Charibdis were supposedly off the coast of Italy, although I thought they 'were' closer to Sicily than Capri.
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Re: The Great Art Debate

Post by Lost Leopard Spot » Thu May 30, 2013 1:51 pm

Prufrock wrote:You're all a lot more confident on where Odysseus went than any Classicist I've ever met! I seem to remember that folk seemed pretty certain that Scylla and Charibdis were supposedly off the coast of Italy, although I thought they 'were' closer to Sicily than Capri.
I'm not confident at all. I had him mixed up with Jason. All I know for certain is that Jason went to Colchis and Colchis is the coastline where Georgia is now.
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Re: The Great Art Debate

Post by Montreal Wanderer » Thu May 30, 2013 2:19 pm

Prufrock wrote:You're all a lot more confident on where Odysseus went than any Classicist I've ever met! I seem to remember that folk seemed pretty certain that Scylla and Charibdis were supposedly off the coast of Italy, although I thought they 'were' closer to Sicily than Capri.
I was told at school they were between Sicily and the mainland. Of course that was some sixty years ago so they may have moved.

In reviewing my old notes I discover my meory failed me. It was Scylla and Charybdis that were in the straits of Messina, not the Sirens. Apparently]Homer says they lived between Scylla and Aeaea. However, Capri and many other places are in the mix.
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Re: The Great Art Debate

Post by William the White » Thu May 30, 2013 4:01 pm

Bijou Bob wrote:I wasn't sure whether to rant this in the angry thread, but its arts related so.....

Not Mrs Bob is off to London this summer holidays with her son for a few days. Looking online for theatre tickets yesterday she spotted that Charlie and the Chocolate Factory is on in the West End and tried to book tickets. No concessions, dress circle £148 each. Cheapest tickets around the 90 quid each mark :shock:

So, let me get this straight. In an age of austerity, we fund the luvvies to put on a show for the benefit of the people and they take the money, price a UK family out of the market and rip of the American and Jap tourists for almost 600 quid for a family of 4.

Bastards. Time to slash the arts budget.
West End theatres strictly a commercial op. no state funding for them.

Of course, if the show has originated in the subsidised sector, there has been funding support before the West End run, and the subsidised theatre is now coining it - so the original use of subsidy is being repaid.

But you are right - West End prices are abominable.

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Re: The Great Art Debate

Post by mummywhycantieatcrayons » Thu May 30, 2013 4:04 pm

https://www.artfinder.com/story/william ... 7-41363709" onclick="window.open(this.href);return false;

Art of the Day - a bit of Hogarth and me in Art Detective mode.
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Re: The Great Art Debate

Post by bobo the clown » Thu May 30, 2013 4:06 pm

Lost Leopard Spot wrote:
Prufrock wrote:You're all a lot more confident on where Odysseus went than any Classicist I've ever met! I seem to remember that folk seemed pretty certain that Scylla and Charibdis were supposedly off the coast of Italy, although I thought they 'were' closer to Sicily than Capri.
I'm not confident at all. I had him mixed up with Jason. All I know for certain is that Jason went to Colchis and Colchis is the coastline where Georgia is now.
What's with the "I'm not confident malarkey ???

I've given you a map !!!

ffs.
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Re: The Great Art Debate

Post by Montreal Wanderer » Thu May 30, 2013 4:25 pm

mummywhycantieatcrayons wrote:https://www.artfinder.com/story/william ... 7-41363709

Art of the Day - a bit of Hogarth and me in Art Detective mode.
Dear Sherlock:
How can a cat be murderously transfixed by a bird? The phrase makes no sense to me. I am also not convinced that a cat and bird appearing in a Madonna picture necessarily influenced Hogarth.
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Re: The Great Art Debate

Post by Montreal Wanderer » Thu May 30, 2013 4:42 pm

mummywhycantieatcrayons wrote:https://www.artfinder.com/story/william ... 7-41363709

Art of the Day - a bit of Hogarth and me in Art Detective mode.
Okay, I've gone into detective mode. This family group is alleged to be the children of David Graham, Apothecary to George II. King George had two apothecaries named Graham - Thomas and his son Daniel. It was Daniel who commissioned the painting. regarding this I read:
Daniel Graham, was born about 1695. He succeeded his father as apothecary to King George II and afterwards to King George III. He was also apothecary at Chelsea College Hospital. Residing at 11 Pall Mall, Daniel was twice married. His first wife (who he may have married at Westminster in April 1729) may have been named Elizabeth Sibbald. She probably died soon after giving birth to a daughter,

1. Henrietta Catherine Graham, apparently born at Wotton in Surrey on 8th November 1733 and baptized at St.James's, Westminster on 30th November 1733. On 6th May 1752 she married Sydenham Malthus of The Rookery and Albury in Surrey. They were second cousins, being related through the Portman family.

Daniel Graham married 2ndly, about 1734, Mary Crisp. By her he had issue

1. Richard Robert Graham, of whom later.
2. Thomas Graham, born 18th August 1740. He died young, probably in 1742.
2. Anna Maria Graham, born 7th July 1738 and baptized at St.James's, Westminster on 1st August 1738. She was to marry (as his 2nd wife) THOMAS RYVES of Ranston Hall in Dorset at St.James's, Westminster, on 22nd September 1757.

In 1742 Daniel commissioned William Hogarth (1697-1764) to paint his children. When Hogarth began to sketch the children for the work, the youngest child Thomas was still alive. However by the time the painting was completed later that year, the youngster had died. This probably accounts for what are said to be some symbolic references to death appearing in the portrait, such as the winged cherub carrying a sickle above a clock in the background behind him.

The children are (from left to right) the infant Thomas sitting in a gold-leaf gilded go-cart; Henrietta in a blue dress holding two cherries; Anna Maria in a flower-print dress; and Richard who plays the sérinette (bird organ). Celebrated for its somewhat idealistic portrayal of childhood, it is also said to be Hogarth's most ambitious portrayal of children. Measuring over 160 x 180 cm, It has become one of the most famous paintings of its genre and is now in The National Gallery, Trafalgar Square, London. It also shows what a comfortable lifestyle this family enjoyed.

Daniel Graham died in 1788 and was buried in St.Mary's Church, Harrow on the Hill where there is a wall plaque to his memory. Below it can be seen the arms of the Graham family. His will was proved on 27th March 1778.
So give whoever wrote the blurb a hard time and show how educated you are.
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Re: The Great Art Debate

Post by mummywhycantieatcrayons » Thu May 30, 2013 4:45 pm

Montreal Wanderer wrote:
mummywhycantieatcrayons wrote:https://www.artfinder.com/story/william ... 7-41363709

Art of the Day - a bit of Hogarth and me in Art Detective mode.
Dear Sherlock:
How can a cat be murderously transfixed by a bird? The phrase makes no sense to me. I am also not convinced that a cat and bird appearing in a Madonna picture necessarily influenced Hogarth.
The cat was rendered motionless by the bird and the possibility of its murder... yes it is clumsily worded.
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Re: The Great Art Debate

Post by Montreal Wanderer » Thu May 30, 2013 4:54 pm

mummywhycantieatcrayons wrote:https://www.artfinder.com/story/william ... 7-41363709

Art of the Day - a bit of Hogarth and me in Art Detective mode.
Okay, I've gone into detective mode. This family group is alleged to be the children of David Graham, Apothecary to George II. King George had two apothecaries named Graham - Thomas and his son Daniel. It was Daniel who commissioned the painting. regarding this I read:
Daniel Graham, was born about 1695. He succeeded his father as apothecary to King George II and afterwards to King George III. He was also apothecary at Chelsea College Hospital. Residing at 11 Pall Mall, Daniel was twice married. His first wife (who he may have married at Westminster in April 1729) may have been named Elizabeth Sibbald. She probably died soon after giving birth to a daughter,

1. Henrietta Catherine Graham, apparently born at Wotton in Surrey on 8th November 1733 and baptized at St.James's, Westminster on 30th November 1733. On 6th May 1752 she married Sydenham Malthus of The Rookery and Albury in Surrey. They were second cousins, being related through the Portman family.

Daniel Graham married 2ndly, about 1734, Mary Crisp. By her he had issue

1. Richard Robert Graham, of whom later.
2. Thomas Graham, born 18th August 1740. He died young, probably in 1742.
2. Anna Maria Graham, born 7th July 1738 and baptized at St.James's, Westminster on 1st August 1738. She was to marry (as his 2nd wife) THOMAS RYVES of Ranston Hall in Dorset at St.James's, Westminster, on 22nd September 1757.

In 1742 Daniel commissioned William Hogarth (1697-1764) to paint his children. When Hogarth began to sketch the children for the work, the youngest child Thomas was still alive. However by the time the painting was completed later that year, the youngster had died. This probably accounts for what are said to be some symbolic references to death appearing in the portrait, such as the winged cherub carrying a sickle above a clock in the background behind him.

The children are (from left to right) the infant Thomas sitting in a gold-leaf gilded go-cart; Henrietta in a blue dress holding two cherries; Anna Maria in a flower-print dress; and Richard who plays the sérinette (bird organ). Celebrated for its somewhat idealistic portrayal of childhood, it is also said to be Hogarth's most ambitious portrayal of children. Measuring over 160 x 180 cm, It has become one of the most famous paintings of its genre and is now in The National Gallery, Trafalgar Square, London. It also shows what a comfortable lifestyle this family enjoyed.

Daniel Graham died in 1788 and was buried in St.Mary's Church, Harrow on the Hill where there is a wall plaque to his memory. Below it can be seen the arms of the Graham family. His will was proved on 27th March 1778.
So give whoever wrote the blurb a hard time and show how educated you are.
"If you cannot answer a man's argument, all it not lost; you can still call him vile names. " Elbert Hubbard.

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Re: The Great Art Debate

Post by TANGODANCER » Thu May 30, 2013 5:00 pm

I had the cat doing a bit of wishful thinking, given the sturdy cage. Motive, but no opportunity. :wink:
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Re: The Great Art Debate

Post by mummywhycantieatcrayons » Thu May 30, 2013 5:02 pm

mummywhycantieatcrayons wrote:
Montreal Wanderer wrote:
mummywhycantieatcrayons wrote:https://www.artfinder.com/story/william ... 7-41363709

Art of the Day - a bit of Hogarth and me in Art Detective mode.
Dear Sherlock:
How can a cat be murderously transfixed by a bird? The phrase makes no sense to me. I am also not convinced that a cat and bird appearing in a Madonna picture necessarily influenced Hogarth.
The cat was rendered motionless by the bird and the possibility of its murder... yes it is clumsily worded.
And I'm not saying it 'necessarily' influenced Hogarth.

However, the unusual little detail of the cat watching the bird is one I don't think is that common. Hogarth was is known to have collected old master prints and to have used some elements from these prints in some of his paintings. The Barocci painting happens to be one of those paintings which became famous through the decent print version that was made of it.

All of those factors coming together do make me wonder.
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Re: The Great Art Debate

Post by mummywhycantieatcrayons » Thu May 30, 2013 5:04 pm

Montreal Wanderer wrote:So give whoever wrote the blurb a hard time and show how educated you are.
I won't bother, on this occasion - how on earth did you spot that?!
Prufrock wrote: Like money hasn't always talked. You might not like it, or disagree, but it's the truth. It's a basic incentive, people always have, and always will want what's best for themselves and their families

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